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Natasha has performed multimedia, improvised and classical contemporary music throughout Australia, New Zealand, Japan and Europe. Recent performances include the Festival de Musiques Innovatrices, St Etienne [2006], the Skopje Summer Festival, Macedonia [2006], ?a?nia Centre of Contemporary Art, Gdansk [2006], Crime, Lille [2006], Galleria Zedosbois, Lisbon [2006], Cave 12, Geneva [2006], the Now Now, Sydney [2006], the OFF Film Festival, Brisbane [2006], the Melbourne International Arts Festival [2006, 2005, 2002, 1998], the Pompidou Centre, Paris [2004], and What is Music, Melbourne [2004-2005]. Regular collaborators include Anthony Pateras, Robin Fox, Amanda Stewart, Louise Curham, Annette Krebs and Twitch, of which she is a founding member.
contact: tash_r_anderson[at]hotmail.com
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Anthea’s unique sound has resulted in collaborative contributions to a number of projects in a diversity of contexts. She regularly collaborates with sound artists Thembi Soddell and Philip Samartzis resulting in the duo release of ‘Iland’ with Soddell and as part of the ensemble of ‘Absence and Presence’ with Samartzis released on ‘Unheard Spaces’. She has done numerous collaborations in media based projects for video installation, dance, live sound design/score for theatre, film and video. As a curator she has co-curated for Liquid Architecture Festival in Melbourne and for the video group DotMov. As a performer she is a recognised member of the Australian improvised and sound art scene touring nationally and internationally. Anthea has a degree in Media Arts with honours specialising in Sound from RMIT University, Melbourne.
contact: antheacaddy [at] yahoo.com.au
web: http://cajid.com/iland
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A composer from Melbourne, Australia. He studied electro-acoustic composition at RMIT, attaining Honours in 2003. Pietruschka's music takes cues from elements of electro-acoustic and avant-garde classical music. Composing with studio production techniques inspired by Pierre Henry, Luigi Nono and Ennio Morricone, he regularly works with some of Melbourne's finest improvising musicians to weave unique sonic tapestries. Pietruschka's music has frequently appeared as soundtracks to video and installation work by artists including Cassandra Tytler, Geoff Robinson, and Shaun Yue. Selected electro-acoustic presentations include Liquid Architecture Festival of Sound Arts, DeScore 04 at the Australian Centre for the Moving Image, Gertrude St Contemporary Art Spaces, Sydney Opera House Art Gallery on behalf of DLux Media Arts and Variable Resistance at the San Francisco Museum of Modern Art. Pietruschka recently completed a tour of Canada as part of a collaborative sound art project called Telephone. He is presently touring Australia with the Back to Back Theatre company as the Audio Operator.
contact: phillip_pietruschka [at] yahoo.com.au
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suggestive sonic landscapes. From sounds on the threshold of perception to rupturing bursts of noise, her particular focus on dynamics aims to suggest narrative through generating anticipation and suspense. The result is an evocative and tense sonic journey. She does work for CD, gallery installation, and live performance. In 2005 she completed her honours year in sound at RMIT. Her full CV can be found at http://cajid.com/thembi
contact: thembi [at] cajid.com
Bruce Mowson is a media artist from Melbourne. Since 1998 he has performed and exhibited sound and video works both locally and nationally, as well as in the Variable Resistance program at the San Francisco Museum
of Modern Art. He is a co-director of the Liquid Architecture sound festival. His "Static Tones" project explores perception through static or near static time-based media presentations. In this project, he is interested in how this particular combination of time, space and mass can create a states of feeling. Other works include a sound and arhitecture work called Saturation, produced with Pia Ednie-Brown and commissioned for the experimenta House of Tomorrow.
contact: brucemowson [at] optusnet.com.au
audio/visual environments. London's Time Out referred to his output as 'ambient twisted soundscapes and challenging sonic scree', andU.S. sound journal, Signal To Noise described English's work as 'extraordinarily gorgeous modern music concréte'. He is also involved in staging sound events such as fabrique, syncretism, liquid architecture and what is music? and features in 'the anti-charts" segment on Triple J.
contact: lawrence [at] room40.org
Camilla Hannan (Bris) is a sound designer, composer, installation artist and performer. She has exhibited and performed both nationally and internationally, most recently at Liquid
Architecture 6. Camilla specializes in multi channel installations investigating ideas of sound, light and space. She has spent the last few years recording factory sites in and about Melbourne, forming the central content of her work, and culminating into her latest release ‘More Songs About Factories’.
web: http://www.camillahannan.com
contact: millyhannan [at] yahoo.com